PRACTICAL WORK ON VOICE TRAINING, PART V. WORK ON A WORK OF ART
Abstract
The article examines the General provisions of vocal pedagogy: the relevance of the issue, principles, goals, objectives and methods of teaching singing; the criteria, methods of selection and basic skills necessary for those wishing to learn vocal art.
References
2.Varlamov A. Shkola peniya. – SPb. 2008
3.Vygotskij L. Psihologiya iskusstva. – M. 2018
4.Garsia M. Polnaya shkola peniya. – M. 1957
5. Daleckij O. Shkola peniya. – M. 2007
6.Dejsha-Sionickaya M. Penie v oshusheniyah. – SPb. 2014
7.Dmitriev L. V klasse professora M.E. Donec-Tessejr. – M. 1974
8.Dmitriev L. Osnovy vokalnoj metodiki. – M. 2000
9.Emelyanov V. Razvitie golosa. – SPb. 2003
10.Kabalevskij D. Vospitanie uma i serdca. – M. 1981
11. Lemeshev S. Put k iskusstvu. – M. 1982
12. Matonis V. Muzykalno-esteticheskoe vospitanie lichnosti. – L. 1988
13. Morozov V. Iskusstvo rezonansnogo peniya. – M. 2002
14. Nazarenko I. Iskusstvo peniya. – M.-L. 1948 15.Pavlisheva O. Metodika postanovki golosa. – L. 1964
16. Panofka G. Iskusstvo peniya. – M. 1968
17. Fuchito S., Bejer B. Vokalnaya metodika Enriko Karuzo. – SPb. 2004
18. Yushmanov V. Vokalnaya tehnika i ee paradoksy. – SPb. 2001
CC BY-ND
A work licensed in this way allows the following:
1. The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work.
2. The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict "reverse engineering."
2. The freedom to redistribute copies: Copies may be sold, swapped or given away for free, in the same form as the original.
